Traditionally, the design of serif typefaces has been rooted in early typographic models, influenced heavily by calligraphic ink pens that produce thin and thick strokes with oblique emphasis. These early designs were shaped by the tools used, creating a clear link between calligraphy and serif typefaces. However, with technological advancements, the objectives and applications of type design have significantly evolved. Serif typefaces, once confined primarily to reading contexts, are now more versatile, pushing the boundaries of typographic conventions and exploring creative, imaginative realms.

PF Grecia exemplifies this evolution by blending blackletter sharpness with Roman attributes in a unique, idiosyncratic manner. It is a variable serif typeface that draws inspiration from Darley, a typeface originally designed for the National Geographic maps by cartographer Charles E. Riddiford in the 1930s.

Grecia’s variable nature allows for flexibility across two dominant styles —Text and Display— each paired with corresponding italics. This versatility is controlled through two design axes: weight and optical size. The Text version is optimized for small sizes, with reduced contrast and robust terminals to enhance readability, while the Display styles are sharper, more condensed, and feature tighter spacing for visual impact at larger sizes. The romans adhere to classical proportions, and their sharpness transitions gracefully into the italics, which, although narrow, carry a distinct personality of their own.

Grecia truly shines in display sizes and heavier weights, where its extravagant details become more pronounced. Its severe oblique stress, abrupt weight transitions, and abundance of stylistic alternates showcase a variety of styles and personalities, making it a standout typeface.

Expressive characters like the uppercase 'B' pay homage to the legendary Ed Benguiat, while others such as 'a, b, c, i, g, o, r, G' add a quirky character to Grecia's design. The letter 'o', in particular, defies convention with its unusual shape in Text styles, whereas its italic form takes on a distinct -10° slant not following the traditional calligraphic stroke.

PF Grecia supports both Latin and Greek, offering versatility and craftmanship by blending the timeless elegance of classical typography with the bold innovation of modern design.